Epistemologi dan Falsafah berkaitan Terapi Muzik dari Perspektif Cendekiawan Muslim

This article studies the comparative analysis of epistemology and philosophy music in Islamic civilization according to viewpoints medieval scholars civilization. The selected are al-Kindi, Ikhwan al-Safa, al-Farabi Ibn Sina. basis this research begins from polemic among concerning legal status using music, whether permissible or forbidden, due absence authenticated textual proof (nas qat’i) al-Quran protracted debate over authenticity hadith on prohibition music. Behind is that was applied as an psychotherapy method treatment hospitals such Fez Hospital Morocco, cAdudi Baghdad, al-Mansuri Cairo, Nuri Damascus, al-Arghuni Allepo, Gevher Nesibe Giyaseddin Keyhusrev Medical Kayseri, Keykavus Sivas, Turan Malik Divrighi, Pervane Bey Tokat, Atabey Ferruh Cankiri, Ali bin Kastamonu, Amasya Amasya, Fatih Istanbul, Edirne Sultan Bayezid II Suleymaniye Istanbul. uses qualitative methodology library by analyzing various primary secondary sources. Research results show there a slight discrepancy views between supporters neo-Pythagorean (al-Kindi al-Safa) Aristotelian (al-Farabi Sina) schools thought epistemological viewpoint. However, terms philosophy, seems be points similarity matter enhancement moral spiritual values for sake human well-being, physical spiritual.